Marshall told Variety:
This is something I haven't done before, and I've wanted to bring a British sensibility to an L.A. shoot and a scorched classic film noir concept. Hoss is a fantastic writer, and he's written three amazing car chases in the film. He's turned them into dramatic scenes as opposed to the usual crash, bang, wallop. I would like to be shooting it this summer.
Jackman may or may not keep the part depending on scheduling.